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Selected Works

11th January to 28th June 2026

Grisebach

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1045

Max Liebermann

1847 – Berlin – 1935

”Tiergarten mit Reitern und Spaziergängern”. 1924

Drypoint on wove paper, reworked in pencil. 17,5 × 23,1 cm (35,7 × 50,2 cm) (6 ⅞ × 9 ⅛ in. (14 × 19 ¾ in.)).
This picture shows the following artwork: Max Liebermann. ”Tiergarten mit Reitern und Spaziergängern”. 1924.

Background:

This picture shows the following artwork: Max Liebermann. ”Tiergarten mit Reitern und Spaziergängern”. 1924.
This picture shows the following artwork: Max Liebermann. ”Tiergarten mit Reitern und Spaziergängern”. 1924.

Background:

This picture shows the following artwork: Max Liebermann. ”Tiergarten mit Reitern und Spaziergängern”. 1924.
This picture shows the following artwork: Max Liebermann. ”Tiergarten mit Reitern und Spaziergängern”. 1924.

Background:

This picture shows the following artwork: Max Liebermann. ”Tiergarten mit Reitern und Spaziergängern”. 1924.
This picture shows the following artwork: Max Liebermann. ”Tiergarten mit Reitern und Spaziergängern”. 1924.

Background:

This picture shows the following artwork: Max Liebermann. ”Tiergarten mit Reitern und Spaziergängern”. 1924.

Estimate:

EUR 1,500

 

- 2,000

Sold for:

1,524 EUR (incl. premium)

Auction 758

Sunday, January 11th 2026, 6:00 PM

Information

Drypoint on wove paper, reworked in pencil. 17,5 × 23,1 cm (35,7 × 50,2 cm) (6 ⅞ × 9 ⅛ in. (14 × 19 ¾ in.)). Signed and inscribed: I/I überzeichnet [engl.: overdrawn]. Catalogue raisonné: Achenbach 87. Reworked artist's proof outside the edition of 100 numbered copies. Berlin, Bruno Cassirer, 1924. [3668] Framed

Condition Report: Fine, harmonious overall appearance. The sheet edges without tears or losses. The upper edge and the right edge slightly soiled. Here and in the lower corners, a few slight nicks. The paper in the plate, due to the artist's technique, slightly undulated. At the left edge, a slight crease running diagonally from the centre upwards (8,2 cm) and, parallel to the right edge from the upper to the lower edge, one fine handling crease. In the margins, isolated minuscule light-brown soling particles and a few faint fingerprints. In the lower right, one small pressure mark. On the reverse, in places traces from the artist's workshop and dark scuff marks. Along the right margin, in places light foxing. At the upper edge, remnants of various paper mountings. Atop, mounted in the upper corners with Japan paper onto the support cardboard

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